Top 10 Best Movies of 2016


Let’s revisit the movies that changed my 2016 experience

We’re finally here, the end of a great movie year. I have made both my most disappointing movies list and my most surprising movies list. I also made my worst movies of 2016, and now it’s time to celebrate the best films of 2016. It took time from all the 67 movies I’ve seen this year, I had cut it down to 15. From those 15, I cut it down to 10. A reminder that I didn’t see all the movies this year. I have yet to Silence and Fences so I have no idea if they would be on this list but I still have some great movies to talk about nonetheless. These are the movies that changed me, that affected me in 2016. These are the movies that blew my mind, terrified or excited me. Here are my top 10 best movies of 2016.

Honorable Mentions:

10. 10 Cloverfield Lane


John Goodman is probably going to be snubbed of an Oscar nomination. Apart from Goodman’s excellent performance, 10 Cloverfield Lane has not much wrong. The tension and suspense are ‘edge of your seat’ material. Beautiful and thrilling direction from Dan Trachtenberg makes him a must-watch up, and coming director in 2017 and the Cloverfield brand is healthier than ever. Now, I’m ready for The God Particle.

9. The Nice Guys


Darkly funny with a strange touch, The Nice Guys is a buddy cop movie that surprisingly works. Russel Crowe and Ryan Gosling have a great chemistry, and Angourie Rice made me laugh my ass off. What makes this comedy great is its fantastic murder mystery story ark. What I admire most is that it embrace its weirdness and the dying genre that is neo-noir mystery.

Read full review here

8. Zootopia


Disney released two animation films this year, Moana and this one. I fell in love with Zootopia‘s metaphorical story and its inspirational but real message. The scene with the sloth is still one of the most memorable scenes of this year. It demonstrates just how well made the anthropomorphization of the animals were. Top it off with Disney’s crisp and colorful animation, and you have the best animation film of 2017.

7. La La Land


A love letter to dreamers, La La Land, is the perfect end of the year movie. It offers a bittersweet story with a great musical twist. Ryan Gosling and Emma Stone are fantastic as the passionate couple. Stone’s final audition is a thing of beauty, and the editing is the best thing about this musical. Damien Chazelle’s craftiness and creativity make La La Land that much more memorable.

Read full review here

6. Manchester By The Sea


Manchester By The Sea is a heavy movie to sit through. The film’s ability to showcase such a tragic life is both bold, yet it carries a weight. And that weight will likely stay with you, and this is what makes Kenneth Lonergan’s dark, sad and tragic movie worth a watch. It has a rare ability to balance its dark elements with light-hearted moments. However, none of it feels like you’re watching a movie. Manchester By The Sea is so well crafted that the viewer feels like it’s watching a real story with real characters.

Read full review here

5. The Lobster


Disturbingly dark yet hilariously funny, The Lobster defies genre rules. Yargos Lanthimos directs a bold, risky movie. Collin Farell, Rachel Weisz, and Lea Seydoux strip down their performance to almost nothing. They give monotonous and one-note performances, but the writing is so quick and witty that the performances work. Finding love has never been scarier.

Read full review here

4. Nocturnal Animals


Tom Ford is a multi-faceted man, fashion designer and now a proven talented director. Nocturnal Animals is Ford’s second film and its one gorgeously looking film. His ability to transition effortlessly from two entirely different story shows how talented this guy is. The whole cast gives excellent performances. Jake Gyllenhaal and Michael Shannon truly give it their all. The end is sure to hit you emotionally at first and then slowly grow up on you the more you think about it – or at least it did for me.

Read full review here

3. The Witch


The first movie that I fell in love with this year. Robert Eggers’ debut is hauntingly and disturbingly beautiful. Sticking close to historical folk tales to tell his story, Eggers creates a compelling and historically accurate tale of what life was like in the 1600s. The tension between the family is gripping, and the religious symbolism is spot on. Anya Taylor-Joy is the up and coming actress you need to follow right now.

2. Moonlight


Another dark and emotional story, Moonlight is a coming of age story that has plenty on its mind. It tells a story about homosexuality, poverty and what it’s like to live in America as a black person. Naomie Harris gave me chills watching her performance throughout and all the actor who portray Chiron are exquisite. It is shot in an impressionistic, poetic style, and by the end, it packs an unsuspected punch.

Read full review

1. Arrival


Denis Villeneuve continues to be my favorite director working today. He continues to solidify himself as a director worthy of being in the realm of Stanley Kubrick and Alfred Hitchcock. Arrival furthers his style and ability to tell a story. There is no plot hole; there are no lazy shots. Everything in Arrival is made with precision, care and craft.  Every film he makes is getting better and better, and I can’t wait to see what he got in store for 2017.

Read full review here

What is your favorite movie of 2017? Tell me in comments below!


‘The Lobster’ Review: Collin Farrel Stars In A Messed Up Love Story Without The Mess

IMG_2135.CR2Disturbing, funny and brilliant, Yorgos Lanthimos’ latest fantasy flick hits closer to home than most would think

The Lobster is a bizarre story about a world where love and relationships are no longer optional. Everyone needs to be in a relationship and have 45 days to find a partner or they get transformed into an animal of their choice.  This dark indie stars Collin Farrel, Rachel Weisz and Lea Seydoux. It is directed by Yorgos Lanthimos. Sounds weird? Because it is…

Lanthimos has created a world where the people inhabiting the world are robot-like and unapologetically violent. These persons’ main goal is to find a partner they will love forever. Now, the acting here is dull, unenergetic and monotone. It takes a while to get used too this sort of acting and when you do accept the style of acting, only then can you really appreciate this movie. Everyone in the movie does a great job committing to the tone that is set in the beginning. Within the film’s mythology, its performances do work and it kind of reveal what people really are.

The score was chilling and nostalgic. There were glimmer of Alfred Hitchcock’s Psycho in it that made for a very old school score. Since the film was so dark, the score blended and set up a tone that would go to the very end. It does make for an unconventional tone which does mirror its unconventional blend of humour and comedy. The tone for this movie should not work on any level but, somehow, Yorgos Lanthimos does make it work and only he can achieve that.

Is true love impossible to find?

Where this movie really shines is when it gets darkly comedic. Never once does it apologizes for the mostly inappropriate humor it delivers. It perfectly blends the humor and grittiness to create a very scary world that closely resembles us.

The ending of The Lobster (which I will not spoil) is bold and daring. That sort of gutsy move is always a good way to end a movie in my opinion. Just as the characters seem to be liberated, the movie ends with an uncertainty which is exactly the way it started, coming around full circle. Some people will not appreciate the boldness and lingering ending but for me, this perfectly ties the movie together.

The start for me was less interesting than the latter parts of this film. You feel this sense of uneasiness from the beginning, however, only when the film gets darker does it kick-start and only then does it get its tone right. Luckily, it does not take long and the rest of this dark comedy is smooth sailing.

The Lobster may not be for everyone, but it is certainly no less amazing. It takes a while to get into it and the start is a bit shaky. However, it makes up for it in the latter part of the film. The dull, monotone feel of The Lobster is blended perfectly with its dark humour and rich commentary.