Crazy Rich Asians tells a story of traditions while breaking Hollywood’s own troubled tradition with all-Asian casts
Having been squeezed dry, the romantic comedy genre has been lacking as of late. Nevertheless, the straightforward genre is still beloved by movie-goers no matter how many times the same old story seems to be recycled. Crazy Rich Asians takes a formulaic yet easily accessible approach to tell a story that has been sidelined for so many years. Its outline may be familiar but its content is as rich as the film’s main family.
Continue reading “‘Crazy Rich Asians’ Review: The Rom-Com Formula Is Revived With Glamour And Chic”
The Purge series is as timely as ever yet it still struggles to get its political messages across
All of the Purge movies start with a great concept. America has hit rock bottom and a new political party, by the name of the New Founding Fathers of America or NFFA, has promised to fix all of the nation’s problem with one simple night. However, the series has continue to struggle in how to portray such political allegory. The First Purge struggles even though it so perfectly understands Trump’s America.
Continue reading “‘The First Purge’ Review: Blumhouse’s Politically Messy Horror-Action Film Is A Big F*ck You To Trump”
Ari Aster has created a horror movie that will stay with you long after its credits
From the time it premiered at the Sundance Film Festival, critics have been raving about A24’s new artsy and challenging Hereditary. Horror films in the vein of The Witch and It Comes At Night are precisely the breath of fresh air critics seem to want. For the general audience, these types of horror films have been widely rejected. Only movies like The Conjuring or Get Out have managed to capture both the mainstream audience and critics alike. As for Hereditary, it is yet another horror film that will only further divide audience and critics.
Continue reading “‘Hereditary’ Review: Toni Collette Battles Family Demons In This Tense And Crafty Horror Film”
A cast of A-listers elevate a messy female-centric summer heist film
In a time where it seems women are (still) given the short end of the stick, is there room for an all female remake of an all male trilogy? If we’ve learned anything from Ghostbusters (and recently, Star Wars), it is that sexism is still alive and well. So, what better than to give a big middle finger and create a pseudo-sequel of the Ocean trilogy with a cast of A-list female talent at the helm. Ocean’s Eight is a fast-paced heist extravaganza walking a fine line between stylized realism and fantasy escapism.
Continue reading “‘Ocean’s Eight’ Review: Sandra Bullock And Cate Blanchett Lead An A-List Cast Through A Messy Summer Flick”
After 10 years, Marvel delivers their biggest and boldest movie yet
It’s been 10 years since Marvel released their first movie as part of their ground-breaking cinematic universe. Since then, we’ve seen films for Iron Man, Captain America, Black Panther, and even Antman. We’ve been on a roller coaster ride of emotions with our favorite superheroes. Infinity War is the grand season finale to the TV show-movie hybrid called the MCU. Whether you’re okay with this concept will ultimately determine your enjoyment of Marvel’s biggest, boldest, and most ambitious movie yet.
Continue reading “‘Avengers: Infinity Wars’ Review: Marvel’s Big Finale Is An Intense Spectacle”
Midnighters isn’t always consistent, but it’s undeniably fun
When approaching a self-proclaimed Hitchcockian thriller, I proceed with caution. When you make me expect a Hitchcock-level thriller, you better deliver and many times they often disappoint. It’s a bold move to take for your directorial debut, and while Julius Ramsay’s Midnighters is far from the Hitchcockian masterpiece I was hoping for, it’s still a fun and easily accessible little thriller filled with surprises.
Continue reading “‘Midnighters’ Review: Julius Ramsay’s Directorial Debut Is A Fun Crime-Thriller”
With plenty of questions on its mind, Annihilation offers a mind-bending trip into The Shimmer
After catching my attention with Ex Machina, Alex Garland’s follow up was much anticipated. His stylistic and philosophically eerie sci-fi film was one of the year’s best. However, 2016’s Arrival had eclipse Garland’s status as one of the best sci-fi directors working today. With Annihilation, everything that was great with Ex Machina is back, and Garland has created another sci-fi masterpiece.
Continue reading “‘Annihilation’ Review: Alex Garland Delivers The Best Sci-fi Film Since Arrival”