‘Hereditary’ Review: Toni Collette Battles Family Demons In This Tense And Crafty Horror Film

Ari Aster has created a horror movie that will stay with you long after its credits

From the time it premiered at the Sundance Film Festival, critics have been raving about A24’s new artsy and challenging Hereditary. Horror films in the vein of The Witch and It Comes At Night are precisely the breath of fresh air critics seem to want. For the general audience, these types of horror films have been widely rejected. Only movies like The Conjuring or Get Out have managed to capture both the mainstream audience and critics alike. As for Hereditary, it is yet another horror film that will only further divide audience and critics.

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‘Lady Bird’ Review: Greta Gerwig’s Directorial Debut Takes Flight

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source: A24

Saoirse Ronan is brilliant in this semi-autobiographical masterpiece by first-time director Greta Gerwig

There are always two sides to adolescence – the one you remember and the one you see in movies. It’s rare for any film to mirror real life, mostly because it’s a messy and often times incomprehensible part of who we are as people. However, here enters Greta Gerwig’s compelling coming-of-age story. With Lady Bird, the famous saying “life imitates art far more than art imitates life” is no longer applicable.

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‘A Ghost Story’ Review: David Lowery Directs A Poetic Tale Of Time And Space

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source: A24

Casey Affleck is bedsheet ghost in this hazy poetic exploration of the meaning of life

A film tackling the meaning of life with a cheap Halloween ghost costume doesn’t seem like the best idea ever. Actually, it’s the worst idea I have ever heard. But David Lowery has managed to make a full feature-length film that is never cheesy, funny, or idiotic. A Ghost Story feels very much like a backstage view of the most important film – our life.

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‘Raw’ Review: A Gory French Tale About Cannibalism And Female Sexuality

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source: Focus World

Julia Ducournau directs a disturbingly delicious feminist cannibal indie film

Barfing, fainting and disgusting are probably the words that people used to describe Raw when it premiered at the Toronto Film Festival last year. Although some might say it is, for the most parts, it’s not the disgusting gore fest you might have heard of. Not to say that it isn’t all those things but this French horror film works on a much deeper level. Raw challenges society’s views of female sexuality and fills its story with rich symbolism all while eating raw flesh.

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